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WTC as a symbol by Louis Proyect 12 September 2001 21:03 UTC |
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Much of the discussion in the media has revolved around how the twin towers were symbols of New York City. Since yesterday morning I have been a bit shell-shocked, but I am beginning to get back to my normal analytical self. So here's a thought. In fact, the towers were a very apt symbol of what NYC has become. As comrades might now, my building was a "Mitchell-Lama", which meant that it was subsidized by NY State in order to help make NYC livable for the middle-class. After 20 years, the landlord was allowed to take it out of the program and charge market rents. For me, this represents at least a 300 percent increase and I will eventually have to find a new place to live. My building was erected in 1977, north of 86th street on the east side in a area called Yorkville, which consisted of tenements rented to primarily to working-class East Europeans and Germans. Just north of the area comes Spanish Harlem. The complex it is in, called Ruppert-Yorkville, occupies the land that the Ruppert brewery used to sit on. This was a local beer favored by working class people. The introduction of the building helped to begin a process of gentrification. Now it is surrounded by high rises, renting to yuppies who work downtown in offices close to the WTC, or in it for that matter. As the city has become more and more oriented to FIRE (Finance, Insurance and Real Estate), it has become whiter, more affluent, and more aggressive. It is the New York City of Oliver Stone's "Wall Street" rather than the NYC of my youth, which was more polyglot, bohemian and egalitarian. One of the key elements of the transformation of New York was the building of the World Trade Center in an area formerly dominated by small manufacturing and retail. The loss of such businesses meant the loss of a working class. I used to love wandering around this neighborhood, looking into electronics shops, bookstores, etc. Now it nothing but granite and glass. I should say, broken granite and glass. === The Columbus Dispatch, January 30,2000, Sunday UNFLATTERING TALE OF POWER Stanley Trachtenberg, For The Dispatch The World Trade Center occupies 16 square blocks of lower Manhattan in some of the world's most valuable real estate. Its twin towers -- each 110 stories, stacked a quarter of a mile high -- back up to the Hudson River and originally were intended as part of an urban renewal project that would safeguard the economic health of the region's maritime commerce. Instead, as Eric Darton points out in Divided We Stand, an angry account of the betrayal of a public trust, the project turned the waterfront into speculative real estate created on the ashes of a once thriving commercial area known as Radio Row and heavily subsidized by the public. Darton puts the major share of blame for this debacle on the Port Authority. Created in 1921, it was designed to resolve acrimonious turf battles between New York and New Jersey. Under the leadership of Port Authority Chairman Austin Tobin, in concert with the Chase Manhattan Bank's David Rockefeller and his brother Nelson, then governor of New York, the Port Authority extended its mandate. The World Trade Center became the core of a strategy to maximize real estate values by shifting from buildings that housed low-skill, low- wage commercial tenants to high-density buildings that housed financial services. Darton traces the history of the center to Henry Dreyfuss' "Democracity'' exhibit at the 1939 World's Fair, which was influenced by architect Le Corbusier. Le Corbusier believed that the house was "a machine for living.'' Darton says "Corbusier argued that the concentration and disorder of the modern city could be cured by increasing urban density. This would be accomplished by erecting very tall buildings on a small portion of the total ground area.'' Perhaps the French architect's most radical position: "There ought,'' he once wrote, "not to be such things as streets.'' The fallout of these models of modernist utopian planning yielded Battery Park City. It was built on the landfill taken from the center site and, Darton argues, showed more concern for aesthetics than the human uses it would serve. Nothing about the World Trade Center, however, fulfilled its promise. It displaced viable communities, cost more in lost taxes and subsidies than it returned, overburdened sewers and finally could sustain itself only by dismantling its own assets. Darton tells this story in a freewheeling style that attempts to bring the impersonal building to life in lyrical sections he calls "illuminations,'' which periodically interrupt the narrative with accounts of his experiences while writing it. What might have been the climax to this disorganized account -- the 1993 terrorist bombing of the World Trade Center -- is confined to teasing references. Darton criticizes the dysfunctional design by architect Minoru Yamasaki, whose Pruitt- Igoe housing in St. Louis had to be demolished only 10 years after it was built and whose attempt to provide human scale for the World Trade Center created instead a sterile environment in which the soaring towers disrupted the skyline. The book is an ambitious effort that relies on disconnected glimpses of political and financial hurdles. Darton fails to tie them together in a coherent history. Divided We Stand brings to life the changes that overtake a great city, revealing its impatience, its capacity for spectacle and its seemingly inexhaustible ability to entertain. -- Louis Proyect, lnp3@panix.com on 09/12/2001 Marxism list: http://www.marxmail.org
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