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Jew: West or East?
by KSamman
14 December 2000 23:04 UTC
Israel and the Mediterranean Option
Dr. David Ohana
http://www.passia.org/seminars/2000/israel/part11.html
Zionism sprang up against the background of the rise of nationalism, the
spread of secularism and the dominance of Eurocentricity. One of the chief
cultural ambitions of the Zionist movement was to create a ‘new man’ - an
idea which made its appearance in the period of the Enlightenment at the end
of the 18th Century, at the time of the historic encounter between the Jewish
Diaspora and European culture. It was thought that the Jew could be
transformed by the adoption of secularism and modernism, and so be made fit
to join European society. However, the myth of the ‘new Jew’ came into
being
only when the idea of a separate Jewish nationality was accepted and realized
in Israel. It was believed that there was an affinity between the people and
the land: only in the land of the forefathers, in the east, would the desired
change in the image of the Jew come about. Jabotinsky, in the Zionist
Congress of 1905, spoke of the "Palestinian personality", and Martin Buber
believed in a mystical connection "between the people and the land." The
realization of Zionism in Israel linked ideology to geography, history to a
spatial identity.
One of the paradoxes of the situation was that, from the 1920s onwards, one
of the models for the creation of the ‘new Jew’ was the Arab. The Arab was
seen by some of the Zionists as an exemplar of belongingness, of an
existential and natural connection with the land, and he was the antithesis
of the stereotype of the exilic Jew. The Jew was weak in body, over-spiritual
and physically uprooted, while the Arab was active, independent, authentic
and lived in harmony with nature. The east was not only a place of refuge
from the Jewish exile in Europe, but also a source of vitality and a place
where the individual and national personality could be renewed.
Zionism was from its early days characterized by a highly ambivalent approach
to the east. Theodor Herzl was among those who rejected the eastern option,
claiming in his pamphlet The Jewish State: "For Europe we will constitute a
bulwark against Asia, serving as guardians of culture against barbarism."
This approach was contested by some Zionist ideologues, who discerned vital
values in the east; thus Ben-Gurion stated (in 1925) that "the significance
of Zionism is that we are, once again, becoming an Oriental people."
The Zionist approach to the east is a particular instance of the orientalist
ideology; that is, the way in which the west relates to the eastern region of
the Mediterranean. It is, however, an approach far more complex than the
classic European orientalism, since the east is conceived not only as the
locus of the ancient history of the Jewish people, but also as the supreme
aim of the people's envisaged return to itself. It is the source, it is the
cure to the national plight of the Jewish people, in-built in its national
identity - but to an equal extent it also represents ‘the other’,
fundamentally exterior to the Zionist Jew and identified as ‘there’ whether
as an alien, even antagonistic, entity or as the object of an unquenchable
aspiration. The increasing lure of the east in the eyes of the 19th Century's
European romantics and the prevailing sense among the intelligentsia of the
west's decline, together with a yearning for primordial ‘true’ and
‘sound’
foundations prompted Jews with Zionist inclinations to see in the east not
only the cradle of their national identity or a safe haven, but also a source
of values, strength and moral regeneration for their people.
Until the 1930s, Zionists saw in the east an object of longing and desire, a
source of power and an opportunity for redemption. At the same time, however,
they started out from a position of western arrogance, an attitude of fear
and suspicion, which also made them see the east as a threat. In the wake of
the 1929 Arab riots, a rift was created between Jews and Arabs and a period
of Jewish separatism began, during which all signs of orientalism were
suppressed. Since then, the east has been perceived as a political reality, a
place of ‘otherness’, a sort of absence or gap, rather than as an object of
identification emanating positive values. Thus, the perception of the east
has been tainted by the Arab-Israeli conflict.
The east was and remains foreign to many Israelis - whether to those who
wanted to touch it, become a part of it and internalize it, or (all the more
so) to those who wanted nothing to do with it. The oriental tradition was
never adopted by the Zionist settlers in Eretz-Israel, but was simply a spice
in the new national-popular recipe. The pioneering society remained
essentially Eurocentric and regarded itself as an extension of European
culture and not a product of Mediterranean culture and certainly not of Arab
culture. The Jews, like the Europeans, felt culturally superior to the Arabs
and saw Middle Eastern culture as backward and inferior in comparison with
western culture. With the founding of the state, mamlachtiut (statism) became
the order of the day, which meant an enormous concentration of power in the
hands of the ruling elites. Processes of social standardization began to form
a national community, as was reflected in expressions like "the in-gathering
of the exiles" and "the fusion of the exiles". In practice, this represented
the abandonment of eastern culture in favor of western values and modernity.
The establishment and consolidation of a coherent and distinctive Israeli
identity has been a remarkable historical feat. It would have been virtually
impossible without the ability to harness such potent ‘myths’ as the
in-gathering of the exiles, the up-building of Zion as a model society, the
creation of a new Hebrew of ‘Jewish’ type and an overarching vision of
national redemption. Even without the devastating blow of the Holocaust and
the wall of Arab-Muslim hostility that confronted the new Israeli state, the
challenge of constructing a collective identity in Israel would have been
formidable. To convert an urban-based diasporic people whose cohesion had
already been significantly eroded by cultural assimilation into a ‘normal’
nation rooted in its own land and with Hebrew as its language was a huge task
even under the most optimal set of circumstances. The ideological synthesis
of socialist Zionism and the driving myths that shaped Israeli society in its
early years reflected many of these imperatives, constraints and challenges.
The emphasis on national security, unity, rootedness, pioneering settlement
and military virtues as well as the priority attached to a ‘melting pot’
ideology, seemed appropriate to the immediate imperatives of survival under
adverse conditions.
The ideology of the melting-pot and the Zionist concept of the ‘new man’
later gave way to the old-new idea of a non-ideological Mediterranean
melting-pot, blending together immigrants from east and west, from the
Christian countries and the Muslim countries. This new identity was not
ideologically based, but was formed by geography and culture.
New forms of integral nationalism and religious fundamentalism related to the
sanctity of the Land of Israel began to change the contours of the Israeli
identity. The balance between the constituent elements of Israeli collective
identity were further affected by the erosion of the dominant
Zionist-socialist pioneering ethos in the early 1970s, by the gradual rise in
influence of Israel's underprivileged Sephardim who helped bring the Likud to
power in 1977, by growing settlement across the green line and violent
confrontation with Palestinians in the territories and by the sharpening
divisions between the religious and secular segments of Israeli society. The
decline in the internal national consensus and the increasingly harsh
criticism and condemnation of Israeli policies abroad were two of the most
obvious symptoms of malaise in the 1970s and 1980s. Inevitably, they too
began to change the contours of Israeli identity, the focus of its collective
consciousness and memory and the perception of Israel's role in the world.
Thiswas the context in which the Zionist ideology itself came to be called
into question from within and the older nation-building myths, which had
already lost much of their mobilizing power, were challenged. Israel's
international isolation and the successive traumas of the Lebanon War, the
Intifada and the unaccustomed Israeli passivity during the Gulf War provided
important external stimuli for this fundamental debate about the place of
Israel in the region and its geo-political orientation.
With the progress of the peace process the southern shores of the
Mediterranean are now open for Israel to pursue cultural relations with the
entire Mediterranean Basin. It is time now to explore the concept of a
Mediterranean culture by comparing images, symbols and myths of Mediterranean
societies and by searching for whatever is shared or different in various
cultural arenas. The Mediterranean links three continents, three religions
and thousands of years of civilization. Throughout history the Mediterranean
has been the conduit for reciprocal influences and cultural exchanges, and
these processes have always affected Jews and Israelis. As Israel is emerging
from its isolation in its immediate cultural environment, the cultural
identities of the Israelis need to be re-thought. Through the exploration of
Mediterranean Culture and the place of Israel in it, the Israelis also hope
to be able to gain an insight into the various elements that make up their
own culture.
The Mediterranean option is not a call for ethnic isolation or a return to
roots, but for an Israeli ethos which would constitute a common cultural
platform for the discussion of tensions and separate identities. It is too
ancient, important and central to be one more reason for ethnic denial, for
the nursing of sectorial interests, folkloristic tendencies or sentimental
longings.
The Mediterranean is not the Levant. It is the Levant as well as other
things. The Mediterranean includes both the Levant and the west, and out of
this synthesis it created the European space and western culture. The
Mediterranean did not give rise to a hegemonic, all-inclusive culture with a
single, homogeneous character. It created a variety of historical models of
cultural meetings and exchanges of intellectual goods, such as the Italian
Renaissance or Christian-Muslim-Jewish Andalusia. In the words of the French
historian Fernand Braudel: "To sail in the Mediterranean is to discover the
Greek world in Lebanon, prehistory in Sardinia, the cities of Greece in
Sicily, the Arab presence in Spain and Turkish Islam in Yugoslavia"
It is true that, from the 1960s onwards, hotels were built on the neglected
shores of the Mediterranean, concealing it from the view of the inhabitants
of Tel Aviv. For many years, there was a feeling that the Mediterranean
identity had been laid aside, that it was an option that had been passed
over. The Jewish Israelis had a suspicious and hostile attitude to the sea,
perhaps because they had been urbanized in the countries of exile (there was
no sea in the Polish shtetl or the Atlas Mountains), perhaps because it
symbolized wandering or perhaps because the Israelis had an ethos of conquest
of land.
The feminist essayist Jacqueline Kahanoff, a Jewish immigrant from Egypt, had
insights on the Levant and the Mediterranean which were ahead of their time.
Levantinism, which developed in the Eastern Mediterranean, was not in her
opinion "a new craving for monolithic unity which denies all differences",
but a phenomenon that originated
“in places where there is an interaction between cultures-where there can be
a flowering, where there can be amorphousness, but there must be interaction.
Just as there are experiments in genetic hybridization, so one must
experiment with synthesizing cultures in order to create one that is living
and successful. This will obviously not arise out of stagnation and rigid
cultural polarities. If there is to be any relationship between ourselves and
our neighbors, it will come about through the Levantine cultures.”
Levantinism represents a culture with an independent existence, a culture in
the process of formation, the configuration, which will result after many
years from the encounter of Europe and the east. With the decline of
colonialism, the idea began to take the form of a genuinely new culture. As
Kahanoff wrote:
"I am a typical Levantine, inasmuch as I give equal value to what I have
received from my Eastern origins and what I have now inherited from Western
culture. I see this cross-fertilization called Levantinization in Israel as
an enrichment and not an impoverishment!"
From many different sides, people began to envisage the goal of developing
and disseminating a cultural policy and regional strategy for the
Mediterranean Basin, in order to produce the cultural content for
understanding between the various peoples and states of the entire Basin, and
of its eastern end in particular. Many voices in Israel society began to seek
to strengthen the Middle East peace process by creating cultural
understanding among the states of the Mediterranean Basin and destroying
barriers between peoples. Thus the Mediterranean option is not only a
creative and innovative proposal, but also an aspect of regional cultural
dialogue in its own right.
Why should we speak about dialogue, pluralism and tolerance between peoples
in general and between Jews and Arabs, specifically in the Mediterranean
context?
The historian Shlomo Dov Goitein claimed that the Jews were a Mediterranean
people, open, free, mobile, not shut up in their corner of Southern Asia but
dwelling in the countries which had inherited the classical culture and
assimilated it into the Islamic culture. In his monumental five-volume study
entitled A Mediterranean Society Goitein described a mediaeval Jewish society
living within a Mediterranean geographical and cultural framework. The unity
of the Mediterranean area is also the starting point for Fernand Braudel and
Henri Pirenne. Braudel believed that similar natural and climatic conditions
throughout the Mediterranean Basin produced a basic Mediterranean
civilization. Pirenne stressed the emergence of Islam as the main cause of
the split of the former Latin Europe into two parts: a larger part
concentrated on the shores of the Muslim countries and a smaller part which
was Christian.
Why do we have to mention the dark side, the "shadow" to use Albert Memmi's
term, that lies over the Mediterranean Sea? Because it is necessary to try
and avoid a tendency towards sentimentalism and kitsch, and because an
effective debate about tolerance and pluralism can be significant only where
they do not exist.
It must be possible to mould a new regional culture, in which the stress
would be on awareness of the role and importance of the other as part of the
inter-regional fabric. The Mediterranean Basin is a mosaic of interlocking
influences; it has been the most important region of cultural, artistic and
religious cross-fertilization in the world. The consequences of these
influences and collaborations are manifest in all its sub-regions and
countries. The Mediterranean as a whole comprises centers of multifaceted
contact; trade routes and markets, in which commercial and cultural dialogue
have flourished for thousands of years. In our own days, however, this vital
dialogue has not found an appropriate expression.
[Remainder of article and bibliography can be found on
http://www.passia.org/seminars/2000/isreal.html]
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